01
Private questions
Short prompts that help me understand what people are actually carrying before the public version is built.
Private access before the public reveal
The First Room opens before the show exists.
I CAN PLAY THAT TOO is returning after nearly two years — but not as the same thing you remember. Before I explain the full version publicly, I’m inviting a smaller group into the questions, fragments, and decisions shaping what comes next.
You’re in. The first private note will arrive before the public version is explained.
Something is being rebuilt from the inside.
Private Question 01
What part of you is still between two worlds?
One sentence is enough. The answer matters more than polish.Scroll
Before the announcement
You help shape it before everyone else sees it.
Most people will see the polished version later: the venue, the date, the public explanation, the tickets.
The First Room is where the next version is still alive enough to respond. Your answers become part of what I pay attention to while the experience is being shaped.
You are not being asked to watch from the outside. You are being invited into the first room.
02
Early fragments
Rehearsal pieces, visual references, musical ideas, room notes, and unfinished decisions.
03
First notice
Venue, date, ticket access, and private previews will go here before they go public.
04
The build
A direct line into the making of the next chapter of I CAN PLAY THAT TOO.
The first question
ROOTS | FUTURE | THE SPACE BETWEEN
That is where the next version begins. Not with a song request. Not with a theme. With the tension people carry quietly: where they come from, who they are becoming, and what they do when those two selves do not fully recognize each other.
Why this matters
The next chapter is being built around a real tension: the version of you that remembers where you came from, the version of you trying to move forward, and the strange space where both are true.
That is the emotional world I want to understand before the public reveal. Not in theory. Through real answers from the people who feel pulled into it early.
What arrives here
Small pieces. Strong signals.
This is where the first clues arrive — the kind you only understand later, when the public reveal finally makes sense.
You may receive a single rehearsal clip. A line I’m testing. A visual direction. A question about memory. A note from a room I’m considering. A decision I haven’t made yet.
The point is not volume. The point is proximity.
A room before it becomes a venue.
A phrase before it becomes a scene.
A question before it becomes public.
Enter first
The door opens quietly.
Add your name and answer the first question. I’ll send the first private note before the public reveal begins.
No spam. No generic newsletter. Only private notes connected to the return of I CAN PLAY THAT TOO.
You’re in.
The first private note will arrive before the public version is explained. Keep an eye on your inbox.